Just over a decade ago, Fijian director Tulia Nacola was eking out a living as a carpenter. She specialized in intricate driftwood chandeliers, which hung in resorts along Fiji’s Coral Coast, an 80-mile stretch of white sand beaches and verdant palm forests that fringe the main island of the South Pacific Ocean archipelago. Nacola’s work caught the eye of a visiting art director for a reality TV show, Beauty and the Geek Australia. He asked for some of her pieces, and she helped him build his set.
An English-lit major, Nacola, 41, was quietly writing her own stories, gaining a following in Fiji for her novels highlighting the experiences of indigenous Fijians, or iTaukei. In 2024, she shot her first short film on a secondhand smartphone; its reception showed a thirst for local stories, and soon Nacola gained financial backing for a feature film. However, there was a hurdle: Fiji,
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