For the 75th Emmys ceremony, which honored TV work from 2022-2023, but was postponed until Jan. 2024 becase of industry strikes, TV Academy members lined up almost entirely behind a single drama (HBO’s departing Succession), a single comedy (FX’s rookie The Bear) and a single limited/anthology series (Netflix’s Beef).
Eight months later, at the 76th Emmys — meaning both last weekend’s Creative Arts ceremonies and Sunday night’s Primetime ceremony — two shows had record-breaking hauls: FX’s limited-turned-drama series Shōgun took home 18 prizes, more than any other show in a single cycle; and the second season of The Bear snagged 11, surpassing by one its own record for most wins by a comedy in a single cycle.
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And yet, oddly enough, there was less of a dominant sweep of the three big genres at the 76th Emmys than there had been at the
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