Three years ago, Max released a limited series adaptation of a well-regarded novel that blended magic realism and an all-too-real snapshot of a global pandemic. Dreamy and uncomfortably familiar, bleak and yet bursting with hope, Patrick Somerville’s translation of Emily St. John Mandel’s Station Eleven has settled into a reputation as a modern classic — THR placed it at No. 42 on our list of the 50 Best TV Shows of the 21st Century So Far — but owing to the timing of its premiere, the show was initially a little lost. It missed deadlines for many critics’ Top 10 lists and didn’t attract the awards attention you might expect based on its subsequent acclaim. It had to take a long path to adoration.
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We’ll have to see if a similar fate awaits Netflix‘s adaptation of Gabriel García Márquez’s One Hundred Years
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